![]() However, if you read elsewhere what the band think of this album, we must sadly conclude that this aint gonna happen. Having said all that it is truly magnificent and I honestly feel that if a Deluxe Edition of AHM is ever released, this quad mix should be on it in High Resolution format. So the only possibility that remains is that someone has/had access to a four track production master of some sort. I don't know what the source of this could be, but it sounds too good to be a Q8 Cartridge. Someone, somewhere made the quad release available in DVD-Audio format. But, as a whole it’s awful schmaltzy and a little vapid.I used to own the SQ Quad on UK vinyl. And, there are sounds that draw pictures. As Impressionism, it’s occasionally effective, but on a very imitative level. It turns out to be an Impressionist orchestral sketch of (I think) a morning that includes some rock elements. The best that can be said for it is that it’s craftsman-like and that in spite of its many parts, it’s an entity. They use orchestral elements and a choir. Their last album, Ummagumma, while a bit drawn-out, had all their best elements.Ītom Heart Mother is a step headlong into the last century and a dissipation of their collective talents, which are considerable. Pink Floyd used sounds no one else thought of and could make them lyrical besides. Most other groups, when they thought in terms of electronics, thought only of painful feedback. And their music, if it wasn’t memorable, reached into the limits of their experimentation. Their use of a third, rear, sound source anticipated quadraphonics. ![]() Their work in the electronic capabilities of rock was more advanced than most people recognize. At one time, Pink Floyd was far-out, freaky even. ![]()
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